Albert pulls
the hood over his head, enjoying its smooth embrace as he fastens it in place.
He shuts his eyes to focus on what lies ahead, preparing for his part in the
solemn ritual. It’s nearly time, he tells himself, not long now. Unable to
contain his curiosity, he crosses the small chamber and pushes the door open a
crack. Just enough to see what is happening on the other side. What’s waiting
for him.
There they
are, hundreds of them. Streaming in silently, filling the pews beneath the soaring
sandstone arches.
Where once sweet castrati voices had been offered up to the heavens, the only sound is shuffling of feet against the polished marble floor, a low murmur and the occasional cough. All eyes are turned to the High Altar. Desperation hangs in the air like a miasma. Though they are many, the crowd stands like a single creature, wounded, watching, hope oozing from its pores. Waiting.
Where once sweet castrati voices had been offered up to the heavens, the only sound is shuffling of feet against the polished marble floor, a low murmur and the occasional cough. All eyes are turned to the High Altar. Desperation hangs in the air like a miasma. Though they are many, the crowd stands like a single creature, wounded, watching, hope oozing from its pores. Waiting.
Sulphur-tinged
daylight lends a sepia hue to the jewel-bright colours of the stained glass
windows that workers laboured over centuries ago, for the glory of God. But the
religion the cathedral was built to serve is now long dead, its saints and
martyrs no longer revered. Its nooks and nave now heave with living bodies
pressed against statues of forgotten knights, bishops and patrons.
No
Eucharist is performed at the altar where priests once shared the body and
blood of Christ to congregations hungry for redemption. Instead, a large glass
dome stands before it, hermetically sealed against the acrid air. Inside stand two
trees, each as tall as three men, with broad, glossy leaves spread like splayed
green hands over their branches. They echo the idyllic image in the first of
the tryptic of windows that rise up behind the chancel. A vision of the
beginning of the world, unspoiled, unsullied, innocent, populated by one man
and one woman. Adam and Eve, unashamed and naked but for some strategically
placed foliage, in the Garden of Eden.
And the Lord God commanded the man,
“You are free to eat from any tree in the garden; but you must not eat from the
tree of the knowledge of good and evil, for when you eat from it you will
certainly die.”
– Genesis 2: 16-17
– Genesis 2: 16-17
The trees
in the dome are fig trees – one male, one female. Their fruit a symbol of
fertility, like a ripe womb, considered by some the original source of
temptation in God’s first garden. That temptation is seen in the second window,
a snake twisted around the trunk as it whispers enticements into Eve’s ear.
These are
the only living trees left anywhere on the planet. Beyond the dome, every leaf,
flower and blade of grass has withered or been burned and stripped away. The
sky is tinged with an ominous ochre, the land a uniform sea of grey-beige
cement. The oceans are reduced to a listlessly heaving mass of flotsam that
will never rot nor sink. No squawk of birds or buzz of insects joins the hum of
human occupation – they haven’t for more than a generation.
And yet, congregations
still gather at the cathedrals to worship and pray.
The crowd
looks to its left at the sound of a small door at the side of the nave opening.
They follow Albert’s slight, bent figure as he steps out and pads his cushion-soled
way to the altar. He’s the chief attendant, dressed not in the priestly robes or
vestments of past centuries but a hooded bio-suit and perspex face mask. Moving
with the reverence of the most pious supplicant, he takes a card from the bag slung
around his body, places it into the slot at the opening to the dome, unlocks
the outer door and enters. Closing it behind him, he turns and steps through
the second door into the trees’ realm.
Albert is a
horticulturist, the last of an almost-dead breed. At nearly 160, medical science
has ensured that his mind is still clear and multiple laser surgeries have kept
his vision sharp. His movements are painful despite his many implants, yet driven
by the urgency of his mission. Named after the patron saint of scientists, Albert
is a mere mortal, decades beyond his prime and wracked with doubt and
desperation. The load he carries is a heavy one. The hopes of the world lie on
his shoulders. Hopes for a green resurrection. Rebirth.
It’s time
to begin the ritual. He plucks two small buds from the male tree, cuts them open
and taps out their pollen into a sterilized steel bowl before gathering the precious
dust into a syringe. Then he takes a needle and passes it all the way through
the single fruit hanging from the female tree. Into the hole it leaves, he injects
the pollen and, lifting his mask a little, gently blows into the hole like a
kiss on the wind - just to be sure.
In the third
window above him, the faces of the man and woman are twisted with fear and
anguish. No longer naked, they’re covered with rough tunics as they flee an
angry angel charged with their punishment.
And the Lord God said, “The man has
now become like one of us, knowing good and evil. He must not be allowed to
reach out his hand and take also from the tree of life and eat, and live
forever.” So the Lord God banished him from the Garden of Eden to work the
ground from which he had been taken.
– Genesis 3: 22-23
– Genesis 3: 22-23
A deep
sense of peace passes through Albert’s bones. His mission is complete, his
purpose fulfilled. He is done. He turns and faces the crowd.
With
shaking hands, he removes his mask completely. As he slips his hood down, the
halogen light glints off his delicate pink scalp dotted with age spots and wispy
white hair. The gloves go next, freeing him to unzip the bio-suit and step buck-naked
out of it. His meatless buttocks sag loosely as he turns to face the trees. He
raises his arms to them in tribute then brings his hands together in prayer. The
crowd responds with a mass murmur rippling through the pews:
“Blessed Be The Fruit.”
Albert is spent.
His time is over. These are his last moments, and he is claiming them. He sits creakily
cross-legged at the foot of the mother tree and leans his head against her
trunk. His eyes flutter and close as he breathes a long sigh of contentment. Beneath
his lids dance visions of juicy red-fleshed figs plucked from the trees in the
sunlit gardens of his youth more than a century and a half ago. He has regained
his paradise. Only time will tell if he is alone.
The ritual
is complete, but the congregation does not leave. Even after Albert’s chest
rises and falls gently for the last time, they refuse to go. This is where they
need to be. There is no fear on their faces, just weariness and resignation
pricked with faith.
Reluctant to return to the harsh, leafless world beyond the
cathedral walls, they sit and wait. For a miracle. For a resurrection. For the glory
of what they once had, but have lost forever.
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